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Accueil de BiViTy / Home  –  Page en cours d'écriture – In progress – Dernière version : 3 février 2012




BiViTy
Bibliothèque virtuelle de typographie


D E   1 9 0 1  à  2 0 1 1


Page en cours – Work in progress


 
Avant
1900
Début de
ce siècle

 


1900

[T] Theodore Low De Vinne, The practice of typography : a treatise on the processes of type-making, the point system, the names, sizes, styles and prices of plain printing types, Century Co., New York, 1900

  • Numérisation Internet Archive, versions feuilletable, texte, PDF, etc.  : tome I et tome II.
  • Numérisation 3e édition (1910) : Hathitrust.

[S] Farmer, A. D., & son, type founding co., Typographic specimens: illustrated catalogue, [New York, A. D. Farmer & son type founding co.] 1900.

[S] Barnhart Brothers & Spindler. Specimen book of type, comprising a large variety of superior copper-mixed types, rules, borders, printing presses, paper and card cutters, wood goods, bookbinding machinery, etc., together with valuable information to the craft, Chicago, Barnhart bros. & Spindler [1900].


1901

[H] Ph. Renouard, Documents sur les imprimeurs, libraires... ayant exercé à Paris de 1450 à 1600, à Paris, chez Champion, 1901.

[S] A. D. Farmer & Son Type Founding Co., Specimen book of brass type : bookbinders, badge printers, box makers / manufactured by A.D. Farmer & Son Type Founding Co., [New York : The Company, 1901?]


1903

[S] Specimen book of type and printing material manufactured by H.C. Hansen, type founder, Boston : [H.C. Hansen Type Foundry, 1903?]

[S] Damon & Peets, Specimen book : types and borders, ornaments, and brass rules : catalogue of printing machinery and printers' supplies, New York : Damon & Peets, [1903?]


1904

[S] Plimpton Press, Specimen pages of printing types from the Plimpton Press, Norwood, Mass., Norwood, Mass., Plimpton press, 1904.


1906

[T]Edward Johnston, Writing & illuminating & lettering, The Macmillan Company New York, John Hogg London, 1906.

[S]Keystone Type Foundry, Abridged Specimen Book -- TYEPE nickel-alloy on universal line comprising a price list of types, borders, leads and slugs, brass rule, brass galleys; miscellaneous cuts and general supplies for printers, Philadelphia, september 1906.


1907

[X][T] Eugène Grasset, Méthode de composition ornementale, Librairie centrale des beaux-arts (Paris), 1907.

  • Version numérisée  :
    Éléments rectilignes : Gallica,
    Éléments courbes : Gallica,

[S] Book of Type -- Specimens comprising a large variety of superior, copper-miexed types..., specimen No 9**, Barnhardt Bros. & Spindler, Chicago, 1907.

[S] Types of the De Vinne Press: specimens for the use of compositors, proofreaders and publishers, New York : Theodore L. De Vinne & Co., c1907.


1911

[S] American Type Founders Company, American line type book. Supplement no. 2 : presenting many new series of beautiful type faces not heretofore shown in our catalogues , [Jersey City, N.J.?] : The Company, 1911.


1912

[S] Display advertising types; body types and other information for the use of advertisers.,New York, Publ. Off., 1912.

[S] The Plimpton Press year book; an exhibit of versatility, Norwood, Mass., Plimpton press, 1911.


1914

[H] A. Claudin, Histoire de l'imprimerie en France au XVe et au XVIe siècle, Imprimerie nationale, 1914, 4 tomes.

[S] One-line specimens, linotype faces, New York: Mergenthaler Linotype Co., 1914.


1915

[T] Jean Dumont, Vade-mecum du typographe, Lesigne, bruxelles, 1915.

[S] Mergenthaler linotype: specimens of linotype book faces demonstrating flexibility, quality, and beauty of type composed on the Mergenthaler Linotype machines, New York: Mergenthaler Linotype Co., c1915.


1916

[S] Specimen book of the Norwood Press, showing samples of hand and machine type equipment and presswork in black and colors; with notes on the preparation of manuscript and proof reading, Norwood Press, Norwood, Mass., USA, 1916.


1918

[T] A. A. Stewart, Type metal explained, Philadelphia, Imperial type metal company [c1918].

[T] Type Cases and Composing-room Furniture, United Typothetae of America, Chicago, 1918.


1920+

[S] Fonderie typographique française, Album d'alphabets pour la pratique du croquis-calque, édité spécialement pour le Manuel français de typographie moderne de F. Thibaudeau, impr. de G. de Malherbe (Paris), date d'édition : 192.-192.

[S] One-line specimens, linotype faces, Brooklyn, N.Y., Mergenthaler linotype company, 1920.


1921

[H] Gabriel Hanotaux et Georges Vicaire, La jeunesse de Balzac – Balzac imprimeur– Balzac et madame de Berny Nouv. éd., augm. de la correspondance de Balzac et madame de Berny, Paris, F. Ferroud, 1921.

[S] Redfield-Kendrick-Odell Co., A printed specimen of Caslon old style type, with appropriate ornaments, being the first of a series of books showing the many beautiful types in the composing-room of Redfield-Kendrick-Odell co., printers and map makers, New York [Redfield-Kendrick-Odell co., inc., c1921].

[S] The monotype pony specimen book of type faces, rules, ornaments & borders, Lanston Monotype Machine Company, Philadephia, 1921.


1922

[T][H] Daniel Berkeley Updike, Printing types,; Their history, forms and uses – a study in survivals, Cambridge (USA) Harvard University Press, 1922.

[H] Frederic W. Goudy, The alphabet / fifteen interpretive designs drawn and arranged with explanatory text and illustrations, New York : M. Kennerly, 1922 [c1918].


1924

[T][H] L.E. Brossard, Le correcteur typographe. , 2 tomes : I « Essai historique, documentaire et technique » (Imprimerie Arrault, Tours), II « Les règles typographiques » (Imprimerie de Châtelaudren), 1934.

[T][X] Francis Thibaudeau, Manuel français de typographie moderne..., À Paris, au bureau de l'édition, 1924.


1928

[S] Frederic Warde, Printers Ornaments Applied to the Composition of Decorative Borders, Panels and Patterns, LANSTON MONOTYPE CORPORATION LTD, London, 1928


1934

[S] American Type Founders Sales Corporation, Book of American types, standard face, 1934.


1940

[H] Jan Tschichold, Geschichte der Schrift in Bildern, 1940.

  • An Illustrated History Of Writing And Lettering (1945) : Fac-similé et traduction en anglais, numérisation en cours par Internet Archive : (ici).


1949

[H] Four centuries of fine printing: two hundred and seventy-two examples of the work of presses established between 1465 and 1924 with an introduction by Stanley Morison, 342 p. (p. 65-336 facsims.), New York, Farrar, Straus [1949].


1957

[T] Jan Van Krimpen, On designing and devising type, New York, Typophiles, 1957.


1965

[H][X] Max Caflisch, Kleines Spiel mit Ornamenten, Angelus-Drucke, Bern, 1965


1975

[T] Jan Tschichold, Ausgewählte Aufsätze über Fragen des Gestalt des Buches un des Typographie, Birkhäuser Verlag, Basel.

  • Traduction anglaise : The form of the book – Essays on the morality of good design, trad. de Hajo Hadeler, introduction de Robert Bringhurst, Lund Humphries, London, 1991.
  • Traduction française : Livre et typographie – essais choisis, trad. Nicole Casanova, préface de Muriel Paris, éditions Allia, Paris, 1994.


1982

[H] John Dreyfus, Aspects of the French Eighteenth Century Typography, with a handlist compiled by David McKitterick, The Roxburghe Club, Cambdridge, 1982.


1996

[T] Fred Smeijers, Counterpunch, making type in the sixteenth century, designing typefaces now, edited by Robin Kinross, Hyphen Press, Londres, 1996.


1998

[T] Christian Paput, La lettre – La gravure du poinçon typographique – The punchcutting, TVSO Éditions, 1998.


2003

[H] Alan Marshall, Du plomb à la lumière : la lumitype-photon et la naissance des industries graphiques , Maison des sciences de l'homme, Paris, 2003.


2005

[H] Yves Perrousseaux, Histoire de l'écriture typographique , Atelier Perrousseaux éditeur :
volume I, De Gutenberg au XVIIe siècle, 2005 ;
volume II, Le XVIIIe siècle (2 tomes), 2010.


2008

[H] Hendrik D.L. Vervliet, The palaeotypography of the French Renaissance: selected papers on sixteenth-century typefaces, Brill, (2 tomes), 2008.


 
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Auteurs / Authors
 
 Autres siècles / TOP


 
Avant
1900
Début de
ce siècle

 


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